Edited by David J. Getsy
Part of the acclaimed Documents of Contemporary Art series of anthologies which collect writing on major themes and ideas in contemporary art.
'[...] There has never been an anthology of artists' writings like Queer. It is an antidote to assimilation, a call for radical creativity, and a recipe for artistic revolution.'
-Richard Meyer, Professor, Department of Art & Art History,
Rather than a book of queer theory for artists, this is a book of artists’ queer tactics and infectious concepts. In the first such anthology to be centred on artists’ writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action, and as a basis from which to declare inassimilable difference.
Artists surveyed include Nayland Blake, Gregg Bordowitz, Leigh Bowery, AA Bronson, AK Burns, Giuseppe Campuzano, Tee Corinne, Barbara DeGenevieve, Dyke Action Machine!, Elmgreen & Dragset, Nicole Eisenman, Rotimi Fani-Kayode, Simon Fujiwara, Malik Gaines, Felix Gonzalez-Torres, Gran Fury, Sunil Gupta, Hahn Thi Pham, Harmony Hammond, Sharon Hayes, Hudson, Roberto Jacoby, Derek Jarman, Isaac Julien, Mahmoud Khaled, Zoe Leonard, Lesbian Avengers, Catherine Lord, Ma Liuming, LTTR, Allyson Mitchell, Zanele Muholi, Carlos Motta, Ocaña, Hélio Oiticica, Catherine Opie, Marlon Riggs, Emily Roysdon, Prem Sahib, Assoto Saint, Tejal Shah, Amy Sillman, Jack Smith, AL Steiner, Wolfgang Tillmans, Toxic Titties, Danh Vo, David Wojnarowicz, Wu Tsang, Yan Xing, Las Yeguas del Apocalipsis, Akram Zaatari and Sergio Zevallos.
David J. Getsy is Goldabelle McComb Finn Distinguished Professor of Art History at the School of the Art Institute of Chicago. His books include Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender (2015), Scott Burton: Collected Writings on Art and Performance (2012), and Rodin: Sex and the Making of Modern Sculpture (2010).
Paperback, 240 pages, 210 x 145 mm
First published 2016
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