Sugar lift aquatint on Somerset Soft White 300gsm
38 x 28 cm [15 x 11 inches]
Edition of 35 works, signed and numbered.
About the work
Ryan Mosley has created a new etching to accompany the exhibition, Radical Figures: Painting in the New Millennium (5 Feb – 10 May 2020).
Using a sugar lift aquatint technique, Mosley has painted directly onto the etching plate, attempting to describe a figure as a hybrid; part painterly part linear. The figure has evolved from previous characters as an everywoman or everyman. Behind the figure lies part of a costume, appearing like simplified petals or wings, both organic shapes which use symmetry or mirroring to attract.
For Mosley, this symmetry has seductiveness, offering the opportunity for the eye to explore the gestural mark making, at once painterly but also with a strong graphic quality. Mosley reflects on the similarities between producing the etching and constructing a painting, noting that his paintings in Radical Figures share this deft pictorial balancing and ‘strange symmetry’.
About the artist
Ryan Mosley (b. Chesterfield, UK, 1980) lives and works in Sheffield, UK. Ryan Mosley is a painter whose canvases create a surreal world of masquerade and carnival characters often referencing art-historical themes, styles, and movements. Mosley has a spontaneous approach, building up a painting through thin translucent thin washes of oil paint, often reworking, painting over, and embracing intuition.
Recent solo presentations include From the Verges, Galerie EIGEN + ART Leipzig/Berlin (2017); Anatomy and the Wall, Alison Jacques Gallery, London (2016); The Mirror Never Reflects, Eigen + Art, Berlin (2015); Susanne Vielmetter Projects, Los Angeles (2014); Thoughts of Man, Tierney Gardarin, New York (2013); Reversed Limbo, Eigen + Art, Berlin (2012), Alison Jacques Gallery, London (2011) and Painting Séance, Grand Arts, Kansas City (2010). Significant group shows including Walls Have Ears, Aston Hall Museum, Birmingham, UK, Malevolent Eldritch Shrieking, Attercliffe, Sheffield, UK, Everything Flows, Millennium Gallery: Museums Sheffield, UK (2017); A New kitchen Sink, Josh Lilley Gallery, London, UK (2017); Ready for the Stage Act 1 (1900-2016), Arp Museum Bahnhof Rolandseck, Germany (2016); Painters’ Painters, Saatchi Gallery, London (2016). Mosley’s work is part of the Arts Council Collection, UK; The Saatchi Collection, London and Falckenberg Collection, Hamburg.
Whitechapel Gallery editions are generously donated by the artists. All proceeds from the sale of these works directly support our exhibition and education programmes.
As is traditional in editions publishing, prices will rise as an edition starts to sell out. The price shown includes VAT for EU customers and is zero-rated for customers from outside the EU.
This work can be purchased with Own Art, which allows you to spread the cost of your purchase over 10 months, completely interest free.
Typical 0% APR. Subject to status. Terms and conditions apply. Applicants must be at least 18 years old. Whitechapel Gallery is a licensed broker of Own Art loans. Registered address: Whitechapel Gallery, 77-82 Whitechapel High Street, London, E1 7QX.
We work with contemporary conservation framers Frame London to provide the best framing options for your Limited Edition. Contact us for more information.